Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Joseph Mallord William Turner 04

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
55036		Naked portrait	mk239 1910-1911 Watercolour 33.1x33cm
85754		Naufragio	1805(1805) Medium Oil on canvas cyf
54911		Night	mk238 1825-1830 Watercolour 30.2x43.9cm
54971		Night	mk238 1833-1835 Watercolour 24x31.5cm
55059		No title	mk239 1911 29x25.6cm
55076		No title	mk239 1911 Watercolour 28.3x25.8cm
55077		No title	mk239 1911 Watercolour 28.3x25.8cm
55103		No title	mk239 1915 Watercolour 45x61cm
55106		No title	mk239 1916 Watercolour 23.8x16cm
55107		No title	mk239 1916 Watercolour 28.5x22cm
55110		No title	mk239 1917 Watercolour 25.5x34cm
55111		No title	mk239 1916 Oil on canvas 67x60cm
55112		No title	mk239 1917 20.7x14cm
55113		No title	mk239 1917 30.8x21cm
55114		No title	mk239 1917 Watercolour 34x25.5cm
55116		No title	mk239 1918 Watercolour 27.4x38cm
55117		No title	mk239 1918 Watercolour 25.7x34.4cm
55118		No title	mk239 1918 Watercolour 35x52.5cm
55122		No title	mk239 1921 Watercolour 30.4x24.4cm
55123		No title	mk239 1920 Watercolour 24x19cm
55126		No title	mk239 1922 Watercolour 34x24cm
55127		No title	mk239 1922 Watercolour 26.9x36.6cm
55129		No title	mk239 1922 Watercolour 46.7x42.5cm
55130		No title	mk239 1922 Watercolour 32.8x47.8cm
55134		No title	mk239 1923 Watercolour 33x47.5cm
55143		No title	mk239 1924 Watercolour 25x20cm
55180		No title	mk239 1930 22.3x16.1cm
55208		No title	mk239 1940 49x31.5cm
55213		No title	mk239 1941 Oil painting
55214		No title	mk239 1941 31x48cm
55216		No title	mk239 1941 33x51cm
55218		No title	mk239 1940 49.8x35cm
43981		Norham Castle, Sunrise	1845 Oil on canvas, 91 x 122 cm
55205		Note	mk239 1939 31.6x48.5cm
55124		Nuber two	mk239 1921 Oil on canvas 131x181cm
55125		Nuber two	mk239 1921 Watercolour 19.1x22.9cm
55048		Nubmer	mk239 1913 Oil on canvas 200x300cm
55083		Nubmer 26	mk239 1912 oil on canvas 97x107.5cm
55085		Nubmer 28	mk239 1912 Oil on canvas 39x56.1cm
55088		Nubmer 30	mk239 1913 Oil on canvas 111x111cm
55082		Number 15	mk239 1912 Watercolour 31.3x47.6cm
55054		Number 19	mk239 1911 Oil on canvas 120x141.5cm
55096		Number 199	mk239 1914 Oil on canvas 162.6x122.7cm
55055		Number 21a	mk239 1911 Oil on canvas 96x105cm
55042		Number nine	mk239 1910 Oil on canvas 110x110cm
55041		Number seven	mk239 1910 Oil on canvas 131x97cm
55047		Number seven	mk239 Oil on canvas 131x97cm
55044		Number ten	mk239 1910 Oil on canvas 120x140cm
54826		Old London bridge	mk238 1797 watercolour 26.2x35.9cm
55141		On the purple	mk239 1924 Watercolour 34.5x22.6cm
56675		over backen	mk248 detta devonsbirelandskap ar sa inspirerat av claude lorrains landskapsmakeri, att den engelska landsbygden kika garna kunnat vara italin, turner larde sig teckna ocb farglagga topogragiska bilder i mitten av 1790-talet. da ban ocb girtin bada var anstallda av tbmas monro.
54946		Oxford street	mk238 1837-1839 Watercolour 38.2x55.2cm
91560		Oxfordshire	1810(1810) Medium oil on canvas Dimensions 101,5 x 130 cm cyf
54815		Pantheon	mk238 1798 Oil on canvas 74.3x58.4cm
55031		Part	mk239 1909 Oil on canvas 95.2x150.1cm
55037		Part of Constructure	mk239 1910 Oil on canvas 58x48cm
92308		Passagiere gehen an Bord	1827(1827) Medium oil on canvas Dimensions 170,2 X 235,5 cm cyf
3235		Peace	1842 Tate Gallery, London
24489		Peace-burial at sea (mk31)	1842 Oil on canvas 87x86.5cm
90750		Pethworth Sussex, Wohnsitz des Earl of Egremont, Taufrischer Morgen	1810(1810) Medium oil on canvas Dimensions 91,4 x 120,6 cm cjr
24475		Petworth Park.Tillington Church in the distance.Ca (mk31)	Ca.1828 Oil on canvas 64.5x145.5cm
55105		Picnic	mk239 1916 watercolour 34.4x34.2cm
55174		Point of intersection	mk239 1928 48.5x31cm
79667		portrait	1798(1798) Medium Oil on canvas Dimensions 58 x 72.5 cm (22.8 x 28.5 in) cyf
24472		Prudhoe Castle,Northumberland (mk31)	1826 Watercolour 29x41cm
55191		Purple	mk239 1934 130x162cm
55202		Purple with orange	mk239 1935 Oil paiting 88.9x116.2cm
43978		Quillebeuf, at the Mouth of Seine	1833 Oil on canvas, 88 x 120 cm
86260		Quillebeuf, Mouth of the Seine	Date 1833(1833) English: Oil on canvas Dimensions 91,5 x 123,2 cm cjr
54866		Quli and Cisi	mk238 1811 Oil on canvas 190.5x160cm
54962		Rain Cloud	mk238 1845 29.1x44cm
61218		Rain,	Rain, Steam and Speed - The Great Western Railway painted (1844).
3237		Rain, Steam and Speed The Great Western Railway	1844 National Gallery, London
52522		Rain, Steam and Speed The Great Western Railway before 1844	Oil on canvas, 91 x 122 cm
40688		Rain,Steam and Speed	mk156 Before 1844 Oil on canvas 91x121.8cm
43312		Rain,Steam and Speed The Great Western Railway	mk170 before 1844 Oil on canvas 90.8x121.9cm
21772		Rain,Steam and Speed,The Great Western Railway (mk10)	1844 Oil on canvas 91 x 122 cm London,National Gallery
54522		Rain,Steam and Speed-the Great Western	mk235 1844 Oil on canvas 91x122cm
24494		Rain,Steam and Speed-The Great Western Railway (mk31)	1844 Oil on canvas 91x122cm
54923		Receive baptism	mk238 1825 Oil on canvas 60x75.5cm
55167		Red trap	mk239 1929 Oil on canvas 62x49cm
82652		Regatta Beating To Windward	Oil on canvas Dimensions 35 1/2 x 47 1/2 in. cyf
54822		Resident place	mk238 1795
54940		Rider	mk238 23x30.5cm 1835
81978		Rise of the Carthaginian Empire	Date 1815 cyf
54852		River	mk238 1805-1807 Oil on canvas 85.7x116.8cm
54907		River	mk238 1824-1825 Watercolour 16.2x24.2cm
24456		River scene with boats (mk31)	1796-97 Watercolour,gouache and pencil 11.3x18.6cm
24453		River Scene,Evening effect (mk31)	1796-97 Watercolour,gouache and pencil 11.3x18.6cm
88100		Rom, vom Vatikan aus gesehen	1820(1820) Medium Oil on canvas Dimensions Deutsch: 177 x 335,5 cm cjr
54885		Roman	mk238 1820 Watercolour 29.6x40.6cm
54944		Roman	mk238 1839 Oil on canvas 91.4x121.9cm
54939		Roman fire	mk238 1834-1835 Watercolour 21.6x36.7cm
54882		Roman town	mk238 1819 Watercolour 22.4x28.5cm
54883		Roman town	mk238 1819 Watercolour 23.1x36.9cm
3213		Rome from the Vatican	1820 Tate Gallery, London
55154		Rose and gray	mk239 1924 59.5x48.5cm
24483		Rouen,looking up the Seine (mk31)	1832 Watercolour and pen on blue paper 14.1x19.2cm
55151		Rover	mk239 1924 Watercolour 35x24.5cm
54836		Ruin castle	mk238 1802-1803 watercolour 27.4x33.4cm

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.

All the Alma Tadema's Oil Paintings

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